The gripping international bestseller about motherhood gone awry. Eva never really wanted to be a mother - and certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his sixteenth birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin's horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.

Still unattached and childless at fifty-nine, world-renowned anthropologist Gray Kaiser is seemingly invincible—and untouchable. Returning to make a documentary at the site of her first great triumph in Kenya, she is accompanied by her faithful middle-aged assistant, Errol McEchern, who has loved her for years in silence. When sexy young graduate assistant Raphael Sarasola arrives on the scene, Gray is captivated and falls hopelessly in love—before an amazed and injured Errol's eyes. As he follows the progress of their affair with jealous fascination, Errol watches helplessly from the sidelines as a proud and fierce woman is reduced to miserable dependence through subtle, cruel, and calculating manipulation.

Shep Knacker has long saved for "the Afterlife," an idyllic retreat in the Third World where his nest egg can last forever. Exasperated that his wife, Glynis, has concocted endless excuses why it's never the right time to go, Shep finally announces he's leaving for a Tanzanian island, with or without her. Yet Glynis has some news of her own: she's deathly ill. Shep numbly puts his dream aside, while his nest egg is steadily devastated by staggering bills that their health insurance only partially covers. Astonishingly, illness not only strains their marriage but saves it. From acclaimed New York Times bestselling author Lionel Shriver comes a searing, ruthlessly honest novel. Brimming with unexpected tenderness and dry humor, it presses the question: How much is one life worth?

Estrin Lancaster has fled Philadelphia for a life of perpetual motion. Now, in Belfast, she revels more than she would like in the company of Ireland's most inflammatory wit, Farrell O'Phelan. Born into conflict, his acute mind is irredeemably twisted by his efforts to make sense of Ireland.

Following the death of her worthy liberal parents, Corlis McCrea moves back into her family's grand Reconstruction mansion in North Carolina, willed to all three siblings. Her timid younger brother has never left home. When her bullying black-sheep older brother moves into "his" house as well, it's war. Each heir wants the house. Yet to buy the other out, two siblings must team against one. Just as in girlhood, Corlis is torn between allying with the decent but fearful youngest and the iconoclastic eldest, who covets his legacy to destroy it. A Perfectly Good Family is a stunning examination of inheritance, literal and psychological: what we take from our parents, what we discard, and what we are stuck with, like it or not.

In Lionel Shriver's entertaining send-up of today's cult of exercise—which not only encourages better health, but now like all religions also seems to promise meaning, social superiority, and eternal life—an aging husband's sudden obsession with extreme sport makes him unbearable.After an ignominious early retirement, Remington announces to his wife Serenata that he's decided to run a marathon. This from a sedentary man in his sixties who's never done a lick of exercise in his life. His wife can't help but observe that his ambition is "hopelessly trite." A loner, Serenata disdains mass group activities of any sort. Besides, his timing is cruel. Serenata has long been the couple's exercise freak, but by age sixty, her private fitness regimes have destroyed her knees, and she'll soon face debilitating surgery. Yes, becoming more active would be good for Remington's heart, but then why not just go for a walk? Without several thousand of your...

Ostracized as a kid, Edgar Kellogg has always yearned to be popular. A disgruntled New York corporate lawyer, he's more than ready to leave his lucrative career for the excitement and uncertainty of journalism. When he's offered the post of foreign correspondent in a Portuguese backwater that has sprouted a homegrown terrorist movement, Edgar recognizes the disappeared larger-than-life reporter he's been sent to replace, Barrington Saddler, as exactly the outsize character he longs to emulate. Infuriatingly, all his fellow journalists cannot stop talking about their beloved "Bear," who is no longer lighting up their work lives. Yet all is not as it appears. Os Soldados Ousados de Barba—"The Daring Soldiers of Barba"—have been blowing up the rest of the world for years in order to win independence for a province so dismal, backward, and windblown that you couldn't give the rat hole away. So why, with Barrington vanished, do terrorist incidents claimed by the "SOB" suddenly dry up? A droll, playful novel, The New Republic addresses weighty issues like terrorism with the deft, tongue-in-cheek touch that is vintage Shriver. It also presses the more intimate question: What makes particular people so magnetic, while the rest of us inspire a shrug? What's their secret? And in the end, who has the better life—the admired, or the admirer?

An ardent middle-ranked professional tennis player, Willy Novinsky meets her match in Eric Oberdorf, the handsome rogue she drubs in a pick-up game in Manhattan's Riverside Park. Eric is charmingly gracious in defeat, and his casual confidence takes her in. Low-ranked but untested, Eric, too, aims to make his mark on the international tennis circuit. Willy beholds compatibility spiced with friendly rivalry, and discovers her first passion outside a tennis court. They marry. Conjugal life starts well on the Upper West Side of New York. But animated shop talk and blissful love-making soon give way to full-tilt competition over who can rise to the top first. Driven and gifted, Willy maintains the lead until she severs her knee ligaments in a devastating spill. As Willy recuperates, her ranking plummets just as her husband becomes the upstart darling of the tennis circuit. Ultimately Eric plays in the U.S. Open. Anguished at falling short of her lifelong dream and resentful of her husband's success, Willy slides irresistibly toward the first quiet tragedy of her young life.

When her father dies, Kay Wilkinson can't cry. Over ten years, Alzheimer's had steadily eroded this erudite man into a paranoid lunatic. Surely one's own father passing should never come as such a relief.Both medical professionals, Kay and her husband Cyril have seen too many elderly patients in similar states of decay. Although healthy and vital in their early fifties, the couple fears what may lie ahead. Determined to die with dignity, Cyril makes a modest proposal. To spare themselves and their loved ones such a humiliating and protracted decline, they should agree to commit suicide together once they've both turned eighty. When their deal is sealed, the spouses are blithely looking forward to another three decades together.But then they turn eighty.By turns hilarious and touching, playful and grave, Should We Stay or Should We Go portrays twelve parallel universes, each exploring a possible future for Kay and Cyril. Were they to cut life artificially...

Beautiful and charismatic, nineteen-year-old Checker Secretti is the most gifted and original drummer that the club-goers of Astoria, Queens, have ever heard. When he plays, conundrums seem to solve themselves, brilliant thoughts spring to mind, and couples fall in love. The members of his band, The Derailleurs, are passionately devoted to their guiding spirit, as are all who fall under Checker's spell. But when another drummer, Eaton Striker, hears the prodigy play, he is pulled inexorably into Checker's orbit by a powerful combination of envy and admiration. Soon The Derailleurs, too, are torn apart by latent jealousies that Eaton does his utmost to bring alive.

Using a playful parallel-universe structure,The Post-Birthday World follows one woman's future as it unfolds under the influence of two drastically different men. In this eagerly awaited new novel, Lionel Shriver, the Orange Prize-winning author of the international bestseller We Need to Talk About Kevin, delivers an imaginative and entertaining look at the implications, large and small, of whom we choose to love. Using a playful parallel-universe structure, The Post-Birthday World follows one woman's future as it unfolds under the influence of two drastically different men. Children's book illustrator Irina McGovern enjoys a quiet and settled life in London with her partner, fellow American expatriate Lawrence Trainer, a smart, loyal, disciplined intellectual at a prestigious think tank. To their small circle of friends, their relationship is rock solid. Until the night Irina unaccountably finds herself dying to kiss another man: their old friend from South London, the stylish, extravagant, passionate top-ranking snooker player Ramsey Acton. The decision to give in to temptation will have consequences for her career, her relationships with family and friends, and perhaps most importantly the texture of her daily life. Hinging on a single kiss, this enchanting work of fiction depicts Irina's alternating futures with two men temperamentally worlds apart yet equally honorable. With which true love Irina is better off is neither obvious nor easy to determine, but Shriver's exploration of the two destinies is memorable and gripping. Poignant and deeply honest, written with the subtlety and wit that are the hallmarks of Shriver's work, The Post-Birthday World appeals to the what-if in us all.

A striking collection of essays from the prize-winning, New York Times bestselling author of Should We Stay or Should We Go, So Much for That, and The Post-Birthday World.Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces "under-expressed, unpopular or downright dangerous" points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us.Bringing together thirty-five works curated from her many columns, features, essays, and op-eds for the likes of the Spectator, the Guardian, the New York Times, Harper's Magazine, the Wall Street Journal, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal. Relentlessly skeptical, cutting, and contrarian, this collection showcases Shriver's piquant opinions on a wide range of topics, including religion, politics, illness,...

‘This early stocking filler of a novel … is a brutal treat’ *Daily Mail* From the award-winning novelist and short story writer, Lionel Shriver, comes a literary gem, a story about love and the power of a gift. When Weston Babansky receives an extravagant engagement present from his best friend (and old flame) Jillian Frisk, he doesn’t quite know what to make of it – or how to get it past his fiancée. Especially as it’s a massive, handmade, intensely personal sculpture that they’d have to live with forever. As the argument rages about whether Jillian’s gift was an act of pure platonic generosity or something more insidious, battle lines are drawn… Can men and women ever be friends? Just friends? Described by the Sunday Times as ‘a brilliant writer’ with ‘a strong, clear and strangely seductive voice’, Lionel Shriver has written a glittering examination of friendship, ownership and the conditions of love.

Set in a parallel yet all too familiar near past, a brilliant subversive novel about a lifelong friendship threatened by culture wars, from the New York Times bestselling author.In an alternative 2011, the Mental Parity movement takes hold. Americans now embrace the sacred, universal truth that there is no such thing as variable human intelligence. Because everyone is equally smart, discrimination against purportedly dumb people is "the last great civil rights fight." Tests, grades, and employment qualifications are all discarded. Children are expelled for saying the S-word ("stupid") and encouraged to report parents who use it at home.A college English instructor, the constitutionally rebellious Pearson Converse rejected her restrictive Jehovah's Witness upbringing as a teenager, and so has an aversion to dogma of any kind. Made impotent in the university classroom, she's also enraged by the crushing of her exceptionally bright children's spirits...

RetailBig Brother is a striking novel about siblings, marriage, and obesity from Lionel Shriver, the acclaimed author the international bestseller We Need to Talk About Kevin.For Pandora, cooking is a form of love. Alas, her husband, Fletcher, a self-employed high-end cabinetmaker, now spurns the “toxic” dishes that he’d savored through their courtship, and spends hours each day to manic cycling. Then, when Pandora picks up her older brother Edison at the airport, she doesn’t recognize him. In the years since they’ve seen one another, the once slim, hip New York jazz pianist has gained hundreds of pounds. What happened? After Edison has more than overstayed his welcome, Fletcher delivers his wife an ultimatum: It’s him or me.Rich with Shriver’s distinctive wit and ferocious energy, Big Brother is about fat: an issue both social and excruciatingly personal. It asks just how much sacrifice we'll make to save single members of our families, and whether it's ever possible to save loved ones from themselves.Review“What would you do for love of a brother? For love of a husband? For love of food? In Big Brother, Shriver’s new and wonderfully timely novel, her heroine wrestles with these vexing questions. Only the scales don’t lie.” (Margot Livesey, author of The Flight of Gemma Hardy)“The fellowship of Lionel Shriver fanatics is about to grow larger, so to speak. Big Brother, a tragicomic meditation on family and food, may be her best book yet.” (Gary Shteyngart, author of Super Sad True Love Story)“A searing, addictive novel about the power and limitations of food, family, success, and desire. Shriver examines America’s weight obsession with both razor-sharp insight and compassion.” (J. Courtney Sullivan, author of Maine and Commencement)“Brilliantly imagined, beautifully written, and superbly entertaining, Shriver’s novel confronts readers with the decisive question: can we save our loved ones from themselves? A must-read for Shriver fans, this novel will win over new readers as well.” (Library Journal)“An intelligent meditation on food, guilt, and the real (and imagined) debts we owe the ones we love.” (Publishers Weekly)“Shriver brilliantly explores the strength of sibling bonds versus the often more fragile ties of marriage.” (Booklist)“[Shriver] has a knack for conveying subtle shifts in family dynamics. . . . Ms Shriver offers some sage observations. . . . Yet her main gift as a novelist is a talent for coolly nailing down uncomfortable realities.” (The Economist)“Shriver is brilliant on the novel shock that is hunger. . . . Most of all, though, there’s her glorious, fearless, almost fanatically hard-working prose.” (Guardian)“Shriver is wonderful at the things she is always wonderful at. Pace and plot. . . . Psychology.” (Independent) From the Back CoverFrom the acclaimed author of the National Book Award finalist So Much for That and the international bestseller We Need to Talk About Kevin comes a striking new novel about siblings, marriage, and obesity.When Pandora picks up her older brother Edison at her local Iowa airport, she literally doesn't recognize him. In the four years since the siblings last saw each other, the once slim, hip New York jazz pianist has gained hundreds of pounds. What happened?And it's not just the weight. Imposing himself on Pandora's world, Edison breaks her husband Fletcher's handcrafted furniture, makes overkill breakfasts for the family, and entices her stepson not only to forgo college but to drop out of high school.After the brother-in-law has more than overstayed his welcome, Fletcher delivers his wife an ultimatum: It's him or me. Putting her marriage and adopted family on the line, Pandora chooses her brother—who, without her support in losing weight, will surely eat himself into an early grave.Rich with Shriver's distinctive wit and ferocious energy, Big Brother is about fat—an issue both social and excruciatingly personal. It asks just how much we'll sacrifice to rescue single members of our families, and whether it's ever possible to save loved ones from themselves.